The question of whether or not the film or its characters are actually good Marxists is not only not interesting, but also misguided, since we’re bound to get nowhere with such relationships of subordination: it is the coordination that we must look at instead. Godard doesn’t film “Marxists” or things whose meaning would be Marxism. He makes cinema with Marxism [...] The strength of the film is that it brings together cinema and Marxism by treating those two formulas as two different conceptions of art in general, and hence also of Marxist cinema. -- Jacques Rancière
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第五天我死了;第六天收了一碗泡面作为报酬我成为了一个杀手 厕所文化的预言~ 最近临睡前听书蒋勋说红楼里面有个观点:淫乃人之本性再自然不过而真正应受鄙夷的淫人间中毒是情 “我不知道和我在一起的你快不快乐于是我只好~活得像你”这样和我在一起的我才能找到答案 Be alive just like you~